Monday, September 26, 2016

AT LAST: Tashi Mannox's Sacred Scripts Book Avaialble!




Tashi Mannox reknowned Tibetan Calligraphy artist and scholar of Tibetan lettering has finally had his book of Tibetan scripts published. To read about the workshop Tashi taught here at Tsegyalgar East in a workshop co-sponsored by Shang Shung Institute of Tibetan Studies and Khandroling Paper Cooperative, visit our post and slide show:



You can also read a lengthy interview with Tashi in The Mirror following his workshop.


To purchase this book visit Amazon.com here

Sunday, September 11, 2016

October 23, 2016 Calligraphy Workshop with Korean-American Artist Kichung Lizee





[Photo by Jacqueline Gens of Kichung Lizee showing us her "MU" scroll 

(seed syllable for emptiness) during one of our workshops}

Khandroling Paper Cooperative is pleased to offer new member Kichung Lizee's workshop on Eastern Calligraphy:


ONE STROKE & BIG BRUSH
Empty Hand, Empty Brush
A contemplative immersion into
East-West brush painting


Eastern calligraphy is a type of meditation and also a discipline in centering--starting from the correct postural alignment of the spine, to preparing calligraphic ink, holding the brush correctly as an extension of the arm, and executing the brush stroke in oneness. Learn how to sense your internal energy through Qi-Gong and Tai Chi exercises and apply this awareness to free-flowing calligraphic art. This workshop offers a unique opportunity to integrate mindfulness and creative expression. Experienced artists and beginners welcome!


READ MORE ON ONE STROKE ZEN PRACTICE Here


When: SUNDAY, October 23, 2016, Time 10:00 AM-4:00 PM 
WhereYellow Schoolhouse at Tsegyalgar East
18 Schoolhouse Road, Conway, MA (In the Library)
CostRecommended donation: $50-$90 or donate according to your financial circumstances
Contact: jacqueline.gens@gmail.com or 413-522--1125 to pre-register as space is limited.



Making first stroke followed by big brush


Kichung Lizee is a Korean-born American artist and Buddhist practitioner who uniquely blends Eastern calligraphy and Western thematic materials. She has taught and exhibited internationally and curated many exhibits bringing together Eastern calligraphers and Western artists. She was honored with a special award in 2008 at the Seoul International Calligraphy Biennale, Korea, and has been a featured artist at the Asian Art Museum, San Francisco, CA, the Jordan Schnitzler Museum of Art, Eugene, OR, and the Turchin Center for Visual Arts, Boone, NC.


Works by Kichung Lizee can be viewed at http://www.absolutearts.com/kichunglizee/ 



Travel by Car to Tsegyalgar

From the South:
In Massachusetts take I-91 north to exit #24 for Deerfield/Conway. Turn right off the exit ramp on to Rts. 5 & 10. At the 3rd set of lights take a left on to Rte 116 north. Follow Rt 116 ten miles uphill into the center of Conway. Continue on Rt. 166 through the center of the village and past Bakers' convenience store on the left. Continue up the hill a short way. Where Rt 116 curves right, take a left onto Maple Street and another immediate left onto the very steep Schoolhouse Road, where you will see Dzogchen Community welcome sign. At the top of the hill you will see the Yellow Schoolhouse.

From the North:
In Massachusetts take I-91 south to exit #25 for Deerfield/Conway. Take a right off the exit onto Rt. 116 north. Follow Rt 116 ten miles uphill into the center of Conway. Continue on Rt. 166 through the center of the village and past Bakers' convenience store on the left. Continue up the hill a short way. Where Rt 116 curves right, take a left onto Maple Street and another immediate left onto the very steep Schoolhouse Road, where you will see Dzogchen Community welcome sign. At the top of the hill you will see the Yellow Schoolhouse.











Thursday, September 1, 2016

Khandroling Paper Cooperative featured in Greenfield Recorder Article



On Saturday, August 27, 2016 Trish Crapo from the Greenfield Recorder visited Pat Lehnhardt's Japanese Bookbinding Class. To read her article visit the link below:


http://www.recorder.com/Preserving-the-old-creating-the-new-4440083